Wishing for Warm Weather Sketching?

Today was one of the last days of the 2018-19 winter.  So in tonight’s Intro to Watercolor Sketching class, did I celebrate the passing of Winter … or embrace the arrival of Spring?

No, I pulled out a photo of late summer and proceeded to create a demonstration piece. Now before my sketching colleagues tar and feather me, let me assure everyone that we have been working for the past few weeks from real objects, objects that were right there in front of us.  This evening, I needed to prep them for a bit of landscape-based sketching homework.  So, by having them do a landscape from a photograph in class, I avoided them going out into the breezy, cold, and dark outdoors tonight.

Each of the student picked a rural or urban landscape image photographed during the winter or spring. (I have a trove of old images that I have made over the years while I was out sketching or painting.)  But me, not really thinking, I just grabbed a photograph and started my demonstration.

Summer Field, Valley Pike (2) WEB copy.jpg

a detail of tonight’s class demo piece

With my photo, I showed them several alternative ways that I might consider cropping it. Next, I demo-ed how they could avoid doing a detailed drawing and instead just lay in a few quick lines to get a sense of where the major shapes would be placed.  We then created very quick images with large blocks of colors. Besides my demo, I shared a blog post by Mari French Early Autumn Sketching At Thornham Roadbeds and links to several more of her posts that I thought would inspire their efforts ( Burnham Overy Marsh , Reed Beds and Tidal Mud ).  I really like her work and find her approach to sketching to be just wonderful.

Sea Lavender Sketch, Thornham Saltmarsh, Mari French, 2018.jpg

Sea Lavender Sketch, Thornham Saltmarsh, by Mari French, 2018

After that I let the students develop their images with as little or as much detail … and in any direction as they wished.

As I moved through the class, coaching, encouraging, and occasionally stopping to do mini demos beside the students, I returned every once in a while to my demo piece and took a few minutes to continue developing this watercolor sketch too.  This is the way it appeared as the class session concluded; all of preliminary pencil lines still intact.

Summer Field, Valley Pike (2) WEB.jpg

Summer Fields, Valley Pike,  5″x 7″ watercolor w/ink over pencil,  2019

Here it is. A bit out of place. Late summer’s golden light on mature foliage and a sky thick with milky humidity. Maybe it is wishful thinking?

 

 

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A trip to Water Colour anyone?

It is SO nice to get a note or postcard in the mail, especially if it has some fun or exciting art image(s)! And while I can’t pin it to my studio board … I can savor an e-message or even a digital post about art almost as much.

That was why I was happy to get a post from Mari French today.

Mari is an English artist whose blog I follow. Her quick sketches are forcefully simple, very direct, and often really spot on; joys to see!

Old landing stage and channel markers. Sketchbook, Mari French 2016

Old landing stage and channel markers. Sketchbook, Mari French 2016

Mari’s more extended works seem to flow out of her mode of sketching and making studies. To me the larger pieces are rich and sophisticated in terms color and design.

Salt & sand series,#2. Mixed media on paper, 70x50cm. © Mari French 2016

Salt & sand series,#2. Mixed media on paper, 70x50cm. © Mari French 2016

Ms. French’s blog today showed some of her pieces and other’s works included in the 2016 Royal Institute of Painters of Water Colour exhibit. She focused on several artists, especially those working in minimalist or boldly conceived abstraction; styles which she obviously enjoys/has a deep interest in … her work show an obvious affinities for those approaches. [Get a look at her post by clicking here: Mari French’s most recent blog ]

You might also consider linking to the exhibition of that show’s website too. [a link to the 2016 R.I. WC Exhibit]  There you can peruse the other watercolour (watercolors), gouache, and acrylic paintings that members of the Royal Institute are displaying this year.  It was a wonderful treat for me to see some very exciting new work by folks that frankly, I never meet … even if I travel to Britain again any time soon.

Now, any group show has a few works that are completely and totally respectable efforts, but sadly … way too predictable.  However this is a really fine show; there really are large percentage of works that are absolutely exquisite in their craftsmanship, design, or handling of content.  And a few are so amazingly simple in their execution that they astound.

Sails across the Marshes, Norfolk, by Fred Beckett

Sails across the Marshes, Norfolk, by Fred Beckett

Mountain Village, by Ralph Dalzell

Mountain Village, by Ralph Dalzell

One or two (look for pieces about topiary prisons by Karen Charman) are even funny; beautifully fresh takes/touches on the best visual traditions in early and mid 20th century illustrations, comics, and cartoons. That type of work intrigued me as a kid; Ms. Charman’s pieces do the same today.

Ultimate Humaliation Topiary Prison, Charman-Karen-

Ultimate Humaliation Topiary Prison, Karen Charman

Take a digital trip, Fares are low. The rewards are really high!