How often do you return to sketch a location? Do you ever try a very different way of sketching the same place?
Well, on the Skyline drive about an hour away, there is a really neat locale known as Mary’s Rock; a peak in the Blue Ridge Mountains. The road cuts 600+ feet through the granite outcrop via a tunnel. This is the site that I chose as the subject of these two rather different sketches.
Today I was conducting my Painting and Sketching Fall’s Foliage workshop and I was demonstrating two alternative ways to approach a watercolor. For my first image (below), I worked atop a wet sheet of paper, loading color into wet color passages and employed a good deal of color lifting too.
While I love the richness and spontaneity of this approach, I don’t usually work this way across an entire painting’s surface. I tend to like to contrast the fluidity against a bit more concreteness; anchoring the loose and free flow of color to few more solidly placed passages of color or line .
My workshop students seemed to enjoy the excitement of pushing very wet color around and adding extra water, color splattering, soaking up excess liquid, and other tasks to manipulate their images of the tunnel under Mary’s Rock.
For my second demo of the day, I returned to my more normal painting process, a mostly wet on dry approach. I also suggested and attempted to lead them to limiting the area of greatest color and value detail to the section they most wanted to have us focus on. For mine, since I was intrigued by the trees growing to the left of the rock face and the opening of tunnel, that is where I concentrated most of my color and value manipulation … only hinting at the red trees to the far right. I could have painted even less detail and may still erase some the pencil lines delineating the upper edge of the tree line to the right but I will admit that I mostly pleased with this one..
I’ll post a more the workshop sketches in a day or so; you can find them by clicking here.